My Fifteen Favorite Albums of 2025

2025 brought entrenching fascism and a steady barrage of distressing news (please donate to your local refugee/immigrant rights organization; OCAD is a great one in Chicago). On a brighter note, it was also the year my 1-year-old daughter started saying "David Byrne!" while pointing at the Talking Heads poster that hangs in our living room (clearly she learned this entirely on her own and with absolutely no intervention on my part). I also was able to distract myself from the state of the world with lots of excellent new music. Below is what I enjoyed the most this year. At the end, you will find two playlists: a 13-song list of "cream of the crop" 2025 highlights and a longer three-hour playlist of all my favorite songs of the year.

Honorable Mentions

Little Simz- Lotus, Alex G- Headlights, Dijon- Baby

Top Fifteen

15. Racing Mount Pleasant- Racing Mount Pleasant

Mid-2000's bombastic orchestral indie lives on. This young Chicago-via-Ann Arbor band uses the "fit as many people on stage as possible" model to great effect. Plus gotta love a band name that riffs on the "Racine Mount Pleasant" sign I've driven past in Southern Wisconsin countless times.

14. Jeff Tweedy- Twilight Override 

I never expected Mr. Tweedy to show up on this list again, but here he is putting out a career highlight nearly four decades into his career. Tweedy set out to make a triple album that could be played and enjoyed on a long roadtrip, and he succeeded tremendously. Never dull across its two hours, Twilight Override has consistently engaging songwriting.

13. Florry- Sounds Like...

Super fun, rollicking Philly country-rock band approximating Rolling Thunder Revue era Bob Dylan by-way-of Gram Parsons.

12. Friendship- Caveman Wakes Up

One of my favorite discoveries of the year, Friendship is another great alt-country Philly band. Intense, riveting music that evokes a feeling not dissimilar from Jason Molina's work.

11. McKinley Dixon- Magic, Alive!

Definitely one of my favorite rappers of the last half-decade, McKinley Dixon employs a lush horn-inflected production style paired with sharp storytelling.

10. Billy Woods- GOLLIWOG

I will never not listen to something this guy puts out. Unbelievable production and rapping every single time, and GOLLIWOG ranks among his best work.

9. Horsegirl- Phonetics On and On

Love this band's evolution from Sonic Youth worship on their debut to showcasing a strong Stereolab and Flying Nun Records influence on Album Two. Truly infectious music.

8. Water From Your Eyes- It's a Beautiful Place

Great experimental rock record filled with hypnotic noisy guitar, deadpan vocals, and electronic textures.

7. Great Grandpa- Patience, Moonbeam

This is my "no one else seemed to like this album quite as much as me" pick of the year. Patience, Moonbeam has a nice variety of tunes spanning art rock and folky Americana. Big Thief-esque but more satisfying than the actual Big Thief album that came out this year.

6. Nourished by Time- The Passionate Ones

Fantastic synthesizer-laden bedroom pop from Baltimore's Marcus Brown. This is one of the better "one person playing/singing every note" albums in recent memory. Great hooks throughout, and a nice mix of upbeat bangers and moodier ballads.

5. Rosalia- LUX

Definitely one of the artier albums you'll ever hear by someone who plays stadiums. LUX is a mesmerizing work of operatic art pop recorded with the London Symphony Orchestra. Rosalia's vocals are stunning, and though I can't speak for the lyrics (in addition to her native Catalan and Spanish, she sings in 12 other languages) the music had me completely transfixed this year. 

4. Wednesday- Bleeds

Wednesday's last album topped my 2023 list, and Bleeds was a more-than-worthy follow-up. Karly Hartzman is a great, approachable lyricist who writes about the mundane and makes you feel that you, too, once got super stoned and made an ill-fated decision to watch Human Centipede and a 3-hour Phish concert back-to-back. I appreciate that Hartzman rejected the impulse to go poppier after the band's breakthrough, and instead further embraced her noisier and screamier side (though the album still has plenty of mellow moments, such as the lovely "Elderberry Wine").

3. Cameron Winter- Heavy Metal

This technically came out in December 2024, but I didn't hear it until January and my list/my rules. Cameron Winter has had quite a year. He went from his record label burying this album (his solo debut) with a December release due to low expectations, to selling out Carnegie Hall and having Paul Thomas Anderson film the concert. Dude is even getting satirized on SNL. He did all this while simultaneously fronting the most hyped rock band in years; see #1 below. People are calling this guy (still only 23 years old) a generational talent and honestly....I am one of those people. Heavy Metal has some truly remarkable songwriting, gets better the more you hear it, and has a timeless quality to it. "Love Takes Miles" is a perfect song. I was fortunate to catch one of his recent shows in Chicago and it was an arresting performance, just Winter on the piano banging out the Heavy Metal songs alongside extremely intriguing new/unreleased tunes. It felt like I was witnessing a future music legend at a key inflection point in his career, and it will be fascinating to watch if that proves true.

2. Ryan Davis and the Roadhouse Band- New Threats From the Soul

Louisville's Ryan Davis had been toiling away in the musical underground for nearly two decades before deservedly breaking through with this incredibly special album. Davis writes majestic country rock epics, with some of the best (and most clever) lyrics you'll ever hear. Davis is often compared to Silver Jews' David Berman (who, fun fact, once called him "the best lyricist who’s not a rapper going") in part due to his baritone vocals and lyrical approach. But New Threats From the Soul deserves to be heard on its own merits. Davis makes bold musical choices that have you thinking "how the heck did he think of that?" (ever heard fiddle paired with a breakbeat?). All of the songs run at least six minutes, but Davis doesn't waste a note— employing shapeshifting song structures and brilliant turns of phrase (one example you'll hear right at the start: "I left my wallet in El Segundo/I left my true love in a West Lafayette escape room"). I am pretty sure this album is headed to my lifetime rotation— I can't recommend it enough.

1. Geese- Getting Killed 

I am on the record for calling Geese "the future of guitar rock" on this very blog in 2023 after the band released the sublime 3D Country, so I have to say it was surreal watching them blow up this year. But they deserve it! And it has been fun getting this excited about a new musical act (though apologies to my wife, who never needs to hear the word "Geese" ever again). I have seen them referred to as "Gen Z Radiohead" and that comparison generally tracks. Both bands went from an unremarkable debut, to a massive step forward and reinvention of their sound on album two, and then to a denser, headier, ambitious album three that brought universal acclaim. I am not saying Getting Killed is OK Computer level good, but it is a pretty unforgettable listen. As noted above, Cameron Winter is an incredible songwriter, and if you can handle the sometimes unusual vocals (my friend Bob can't, but that's his loss) the music is pretty thrilling. This band really, really knows how to finish a song— the build-ups and release of tension are amazing. "Islands of Men" is a particularly good example. Geese are also a great live act, and I am grateful I was able to see them at the relatively small Thalia Hall when they could be on their way to playing stadiums. Getting Killed was undoubtedly the album that defined my 2025 listening and judging by the currently astronomical demand to see Geese in concert, lots of people felt similarly. [Pro-tip: if all of the above sounds good but you don't want to hear a guy repeatedly (and abrasively) screaming about how there's a bomb in his car, start the album on track two for a smoother listening experience].

Best of 2025 Playlist: 13 Favorite Songs

Here are 13 of my favorite songs of the year.

Best of 2025 Playlist: Long Version

And here is an extended playlist of the best songs I heard this year. Unlike past years I did not sequence it. I now have a toddler who yells "no phone!" at me when I stop giving her attention for two seconds to glance at my phone. So tragically, sequencing three-hour Spotify playlists is just not on the agenda these days. Anyway, if you listen to the playlist in order it will be largely a chronological tour of 2025, which might be cool but no promises on how well it will flow. I would personally just throw it on shuffle, but enjoy it however you want!

My Twenty Favorite Albums of 2024 (Working Parent Version)

Traditions are great. Now that I am a working parent, however, it is time for a new tradition: spending a lot less time on my annual year-end music roundup! Before you fret (or shrug because you haven't looked at these since at least 2019 anyway), I am still compiling a list of my twenty favorite albums of the year with corresponding playlists. But I am pretty sure "sorry honey, I can't help with the baby right now because I need to spend 45 minutes writing the perfect sentence to describe MJ Lenderman's guitar tone" isn't gonna go over so well with my wife. So, minimal blurbage this year. 

Another caveat: I definitely did not cast a super wide net musically-speaking this year. Again, baby's fault; one can only hear so much Fisher Price play mat music before wanting to reach for old favorites during rare moments of free time. So the list/playlist is pretty heavy on the genre in which I am most associated (Indie Rock™) as well as bands/artists I already liked prior to this year. If anyone reading this has recommendations of music I missed, please reach out—especially if you heard some good stuff outside of the rock realm.

Honorable Mentions
Kendrick Lamar- GNX
Cassandra Jenkins- My Light, My Destroyer
Doechii- Alligator Bites Never Heal

Vampire Weekend- Only God Was Above Us

Top Twenty

20. Peel Dream Magazine- Rose Main Reading Room

Ever wonder what it would sound like if Sufjan Stevens made an album with Stereolab? Me neither, but the result would be something like this.

19. Charli XCX- Brat

I have nothing to add to the discourse about this one, but no doubt it is a very good pop album that had a massive cultural impact in 2024.

18. Friko- Where We've Been, Where We Go From Here

This Chicago band makes indie rock that feels like it was made in 2005 (lots of strings and big sweeping choruses). Personally, I am here for it.

17. Adrianne Lenker- Bright Future

The Big Thief frontwoman is possibly the best songwriter going right now, and this nice solo album further increases her pedigree. Just skip Track One if a song about putting down the family dog seems unpleasant. Track Two (the beautiful "Sadness as a Gift") is a tad easier to digest.

16. Tyler, The Creator- CHROMAKOPIA

Tyler's always up to something interesting. Wouldn't rank this among his very best but it's a good listen with impeccable production as always.

15. Liquid Mike- Paul Bunyon's Slingshot

Loved these guys before I heard a note of their music (inspirational band name, plus they are from the UP of Michigan. Love a Yooper band). They make big dumb rock music with maximum riffage, shouty choruses, etc. Super fun stuff.

14. Rosali- Bite Down

Musically comforting (album cover, maybe less so) roots rock by this North Carolina (via Philly and Michigan) singer-songwriter. I reached for this whenever I wanted something in the vein of Waxahatchee but didn't want to over-play Tigers Blood (see below). 

13. Jack White- No Name

Never was a big Jack White/White Stripes guy but that changed in 2024. Really dig this album. It' is a "back to basics" record (in this case, filled with catchy blues-rock numbers) done right. It inspired me to do a proper deep dive into The Stripes and hey, turns out they're pretty good! (Breaking news, I know).

12. Mount Eerie- Night Palace

A great encapsulation of everything Phil Elverum does well (catchy indie rock! abrasive noise! poignant first-person narratives! anti-capitalist screeds!) across 26 songs and 80 minutes. Wholly inaccessible but very enjoyable for me personally.

11. Mk.gee- Two Star & the Dream Police

This guy's trajectory from underground favorite at the start of 2024 to being the musical guest on SNL come November was a sight to behold. An immensely talented guitarist and songwriter who makes music that sounds like the '80s but filtered through a modern lens. 

10. Wild Pink- Dulling the Horns

These heartland rockers have been getting better with each album. Nice to see them break out the distortion on this one and really rock out. 

9. Nala Sinephro- Endlessness

Endlessness takes the crown as the most gorgeous piece of music I heard this year. A mesmerizing work of ambient jazz with some electronic elements. Perfect music to relax to (or make your workday a little less terrible).

8. Jessica Pratt- Here in the Pitch

Pratt always delivers on the Slightly Spooky but Very Pretty Folk Music front. She has gradually expanded the instrumentation with each subsequent album, and her newest (which incorporates some unexpected bossa nova vibes) could be her very best.

7. Hurray for the Riff Raff- The Past is Still Alive

I thought this one was pretty underrated! Really nice country-rock record. The band's only constant member, Alynda Segarra, is a great storyteller and vocalist. I just learned they moved to Chicago, which is obviously another plus in my book.

6. This is Lorelei- Box for Buddy, Box for Star

The first proper album from Nate Amos, aka one half of the excellent Brooklyn band Water From Your Eyes. Whereas Amos' main band favors glitchy disjointed electronics, this album is a rootsy indie rock album that reminds me of Alex G or (on the gentler numbers) Wilco. Really excellent tunes that will get stuck in your head (try hearing "I'm All Fucked Up" without humming it the rest of the day).

5. Father John Misty- Mahashmashana

This one really surprised me! I have always liked Josh Tillman's songwriting but I was not sure he could do anything new to excite me. Turns out he very much could— this album is flat-out gorgeous. He really went for it with the production, which is Phil Spector "Wall of Sound"-esque at points. There are also a few groovy danceable numbers to move the album along.

4. Waxahatchee- Tigers Blood

One of the most successful musical reinventions in recent memory is Waxahatchee's Katie Crutchfield's decision to shift from DIY indie rock to alt-country/Americana. She is not necessarily breaking any new ground on Tigers Blood compared to its predecessor St. Cloud (an album my wife and I loved so much we had it in cookie form as a party favor at our wedding). But dang does she know how to write a pleasing melody, and her band is enhanced this time around by fellow 2024 favorite MJ Lenderman's guitarwork and backing vocals. Their collaboration "Right Back To It" might be the most perfect song I heard this year.

3. MJ Lenderman- Manning Fireworks

I have loved pretty much everything Lenderman has touched since getting on my radar a few years back (including his band Wednesday's Rat Saw God, which topped my list last year). Lenderman plays the sideman role well, as with Wednesday and on the aforementioned Waxahatchee record. But he is a killer songwriter in his own right, and Manning Fireworks is an irresistible listen. Lenderman's hype got a little out of control this year and if you are looking to have your mind blown, this album won't deliver. But if you want to hear some great country rock tunes with a healthy dose of wit and humor (that will have you googling "What is a Himbo Dome?") you will be very satisfied.

2. Magdalena Bay- Imaginal Disk

An absolutely resplendent synth pop masterpiece. Imaginal Disk is a concept album (Wikipedia will fill you in if you want details), but it works just fine if all you desire is to bob your head to the infectious music. Magdalena Bay write hooks worthy of an ABBA album, but with a dose of psychedelia. The end result is endlessly replayable and a whole lot of fun. 

1. Cindy Lee- Diamond Jubilee

Cindy Lee is the drag alter ego of Patrick Flegel, who I knew way back in the day as the vocalist for Canadian indie/post-punk band Women. So Diamond Jubilee did not quite come out of nowhere, but it found a remarkably wide audience this year for an album literally released via Geocities (and remains unavailable on traditional streaming platforms. It is on YouTube, though!). Across two hours and 32 songs, the album is a trippy journey through a lo-fi '60s radio dial. Fuzzy guitars and girl group harmonies are a constant thread, and Flegel's wonderful guitarwork and vocals are quite moving. All of the individual songs are good, but this is definitely a "the whole is greater than the sum of its parts" record. The atmosphere Flegel conjures is magical, and the album is remarkably captivating throughout its extended runtime; I found something new to appreciate on every listen. Since it is not on Spotify, Diamond Jubilee is not represented on my playlist so I will highlight the song I would have chosen here: the absolutely stunning "Kingdom Come" encapsulates the album quite well. 

Best of 2024 Playlist: 12 Favorite Songs

Here are my twelve favorite (non-Cindy Lee) tunes of the year.

Best of 2024 Playlist: Long Version

And here's an extended playlist of the best songs I heard this year. I spent some time sequencing it so it should flow pretty well if you play it in order (but if you are more of a shuffle kind of person, that works too!). 

My Twenty Favorite Albums of 2023

It is time for everyone's favorite end-of-year tradition: Dick Clark's New Year's Rockin' Eve with Ryan Seacrest Matt's annual music roundup. I have now been doing this for a decade, which is pretty wild. Enough time has passed where some of my choices from previous years are now truly embarrassing (let's just say I would like a do-over on 2016). Here's to another decade of making selections that will probably age terribly!

I liked a lot of different albums this year—so many, in fact, that I could not limit myself to just a Top 15. So I am getting back to this blog's roots and ranking music using a nice round number (specifically, the number 20). Additionally, I am including not one but two playlists this year. After the list of favorite albums, you will find the typical way-too-long (4.5 hours) playlist of some of the songs I enjoyed most in 2023 and a tidier hour-long playlist of my absolute favorite tunes of the year. Props to my father-in-law Larry for inspiring the latter playlist by telling me last year that maybe some editing would be helpful for those who prefer I just get to the point and highlight what they really need to hear. 

Honorable Mentions

Armand Hammer- We Buy Diabetic Test Strips (Hip-Hop)

Lonnie Holley- Oh Me Oh My (Experimental/Soul)

Olivia Rodrigo- GUTS (You know who Olivia Rodrigo is)

Special Honorable Mentions

The Replacements- Tim (Let it Bleed Edition): This 1985 album with some of the best rock songs ever written gets a revelatory (read: way less muddy) new mix that makes you wonder whether they could have had some radio hits if they had gone with this version back in the day. 

MJ Lenderman- And the Wind (Live and Loose!): The guitarist for 2023 favorites Wednesday (see below) is building a potent catalogue in his own right. This live album is an exhilarating listen from front to back, with Lenderman backed by a killer band that tears through his best songs and nearly universally improves upon the studio versions.

Top Twenty

20. Joanna Sternberg- I've Got Me (Folk/Singer-Songwriter)

Until Joanna Newsom releases a new album (fingers crossed for 2024), this album satisfies the itch for beautiful music created by a Joanna With an Unusual Vocal Style. These simple folk tunes marry timeless melodies and charmingly self-deprecating lyrics.

19. Water From Your Eyes- Everyone's Crushed (Experimental Rock/Art Pop)

Maybe too weird for most of you (prove me wrong!), but I always appreciate a band that resembles absolutely no one else. This album incorporates a chaotic mix of sounds: at points atonal and extremely catchy (sometimes simultaneously).

18. Yves Tumor- Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds) (Art Rock)

I hear the spirit of David Bowie in these songs, which continue Tumor's run of increasingly listener-friendly (but never conventional) albums that blend glam rock and neo-psychedelia.

17. yeule- softscars (Experimental/Dream Pop)

This talented songwriter and producer from Singapore melds electronics, ambient textures, and sludgy Smashing Pumpkins-esque guitar: a combination I did not know I needed (but I definitely do).

16. Black Country New Road- Live at Bush Hall (Art Rock/Chamber Pop)

I usually omit live albums from this list, but I am making an exception here due to the fact that Live at Bush Hall contains never-before-released music the remaining BCNR members wrote after the band's frontman left at the beginning of 2022. These songs are softer and prettier than the band's prior work, and though they can veer into cutesy territory I found it to be a pleasing listen.

15. Indigo De Souza- All of This Will End (Indie Rock)

Great rock record with a ferocity and lyrical directness that reminds me of Alanis Morrissette. But my favorite songs are the ballads that make up the back half of the record—particularly the stunning closer "Younger and Dumber."

14. ANOHNI- My Back Was a Bridge For You to Cross (Soul/Experimental/Art Rock)

Anohni (formerly Antony) Hegarty has amassed a groundbreaking catalogue over the past three decades, and their newest work represents a career highlight. This is beautiful, powerful music with Anohni's inimitable vocals taking center stage.

13. 100 gecs- 10,000 gecs (Hyperpop/Alt Rock/Batshit Crazy)

Some of you will get through 30 seconds of this before saying "What the hell, Matt?" and you would not be wrong! But I can think of few albums that make me laugh as much as this one, and goddamn, the hooks are so good! This is absolutely ridiculous music and yet I enjoyed the hell out of it any time I put it on this year.

12. Greg Mendez- Greg Mendez (Singer-Songwriter)

This is an extremely likable and comforting album that will remind you of early Elliott Smith. Mendez comes from Philly's DIY scene, and the sparse production (mostly just acoustic guitar and vocals) suits his songwriting. The album's nine songs go by quickly in just 23 minutes, and if you are like me you will want to immediately replay it.

11. McKinley Dixon- Beloved! Paradise! Jazz!? (Jazz Rap)

McKinley Dixon is easily one of my favorite new discoveries this year. This is an expertly crafted album that doubles as a Toni Morrison tribute (literary-minded listeners will notice the title references three of her novels). The jazzy production is exquisite, as are Dixon's lyrics. The fact my favorite music writer (Hanif Abdurraqib) is also on here is the cherry on top.

10. Caroline Polachek- Desire, I Want to Turn Into You (Art Pop)

I have been a fan of Ms Polachek dating back to her iPod commercial days in the band Chairlift. It has been a joy to watch her reach new heights as a solo artist, with her newest album representing her most consistent and engaging effort yet. These pop songs got stuck in my head during the early portion of 2023 and nearly a year later still sound fresh and exciting.

9. Geese- 3D Country (Indie Rock)

I was shocked to learn the members of Brooklyn's Geese (not to be confused with the jam band Goose) are only a few years removed from high school, because these bombastic songs sound like they were crafted by a group of seasoned veterans. The goofy vocals are definitely not for everyone (and threw me for a loop at first), but after a few listens I was hooked and convinced these guys are the future of guitar rock.

8. Mitski- The Land is Inhospitable and So Are We (Indie Rock/Singer-Songwriter)

This is a nice bounce-back album for Mitski, who abandoned synthesizers and returned to warmer guitar textures with a subtle dose of country twang. The splendid "My Love Mine All Mine" is a career highlight, and more than justifies its TikTok-aided viral fame.

7. Jeff Rosenstock- HELLMODE (Punk Rock/Indie Rock)

What a run Rosenstock is on; he is easily one of the most consistent musicians out there. His songs continue to hit hard, as he grapples with increasing career success amidst the backdrop of a deteriorating society. HELLMODE absolutely rocks, as do all of his albums, but I appreciate the softer side he displays on songs like "Healmode."

6. Kara Jackson- Why Does the Earth Give Us People to Love? (Singer-Songwriter/Indie Folk)

Jackson, an Oak Park native (and former National Youth Poet Laureate), arrived with an astounding debut album. Jackson's songs are intricate, complex, and wildly creative. I hear shades of Joni Mitchell and Tracy Chapman, but Jackson's lyrics and song structures are wholly unique. At just 24 years old, I suspect she is just getting started.

5. Billy Woods and Kenny Segal- Maps (Hip-Hop)

Woods has cemented himself as one of my all-time favorite rappers, with Maps continuing his recent streak of excellent albums. His lyrics are as clever and humorous as ever— and the food nerd in me appreciates him for being (I assume) the first musician to include a tantalizing pork belly preparation in the middle of a song.

4. Ratboys- The Window (Indie Rock)

I have loved Ratboys for years now, but The Window is their first truly great album. The band mentioned in interviews that the onset of the pandemic resulted in a slowed-down creative process. The result is their most thoughtful, nuanced, and emotionally evocative album. The title track, about frontwoman Julia Steiner's grandfather saying goodbye to her terminally ill grandmother through a window (due to COVID-19 restrictions), particularly resonates. On the other side of the coin, the jammy, bass-heavy "Black Earth, WI" instantly became one of my all-time favorite road trip songs. I would expect nearly everyone reading this to dig the album- check it out!

3. Jessie Ware- That! Feels Good! (Dance-Pop/Disco)

Ware continues her reinvention from generic pop soul artist to full-fledged disco queen. These songs are fun and were always there for me this year when I needed a jolt of feel-good energy. The lush, Studio 54-style production pairs exceptionally well with Ware's formidable vocals. Against the backdrop of endless anxiety-provoking world events, this incredibly joyful album provided much-needed musical escapism.

2. Sufjan Stevens- Javelin (Singer-Songwriter/Indie Folk)

What is there to say about Sufjan at this point? He is one of the best to ever do it, and the fact he is still releasing albums of Javelin's caliber a full twenty years after Michigan is staggering. After a rare miss on 2020's synthesizer-laden The Ascension, Sufjan returns to his folk roots and manages to create an album that wonderfully encapsulates his career to date. Though the album is undeniably "Sufjan" from the first note to the last, it never sounds remotely stale and includes several of his best-ever songs (the epic "Shit Talk" is particularly marvelous to my ears). On the day of the album's release, Sufjan posted a beautiful tribute to his partner who passed away several months beforehand— providing heartbreaking context and making gorgeous songs like "Will Anybody Ever Love Me?" hit even harder.

1. Wednesday- Rat Saw God (Indie Rock)

This Asheville, North Carolina band created an instant classic with Rat Saw God. Frontwoman Karly Hartzman's rough-around-the-edges vocals are not for everyone, but if you can handle a little raggedness you will be rewarded. Hartzman crafts alluring vignettes about coming of age in the American south. Musically, the band pairs geographically-appropriate country rock with distorted, shoegaze-y production. The result is an album I adore so much that my Spotify Wrapped this year was incredibly boring (4/5 of my top songs hail from Rat Saw God). At the very top of my "most-played" list this year was the anthemic "Chosen to Deserve," which perfectly captures what makes Wednesday special. With rising star guitarist MJ Lenderman also in tow, their talent feels limitless and I am grateful 2023 gifted me a band I expect to be following closely for many years to come. 

Best of 2023 Playlist: 15 Favorite Songs

This playlist represents the "best of the best" for me this year, and highlights a few bands who did not make the above list but created individual songs I loved.

Best of 2023 Playlist: Long Version

And here is my "traditional" Very Long playlist for those of you who want to take a deep dive into what I liked in 2023.

 

My Fifteen Favorite Albums of 2022

Based on the fact that three (3) of my adoring fans have asked when this year's blog/playlist is coming out, clearly you all are CLAMORING to discover some new Matt Pflaum-endorsed tunes. So in the interest of actually sending this out before January February, I am going minimalist with the intro this year. Here are some 2022 albums I loved, and an accompanying playlist of some of my favorite songs of the year. Enjoy!

Honorable Mentions

Weyes Blood- And In The Darkness, Hearts Aglow

Charlotte Adigéry and Bolis Pupul- Topical Dancer

Angel Olsen- Big Time

Sharon Van Etten- We've Been Going About This All Wrong

Jenny Hval- Classic Objects

Top Fifteen
15. The Beths- Expert in a Dying Field (Indie Rock/Power Pop)
This New Zealand quartet write amazing hooks driven by punchy guitars and sublime harmonies. Power pop might have had its heyday in the late '70s, but The Beths prove they make it better than anyone else these days (experts in a dying field, indeed).

14. The Smile- A Light For Attracting Attention (Art Rock/Post-Punk)
No one is quite sure why Radiohead's Thom Yorke and Jonny Greenwood formed a very Radiohead-esque side project rather than releasing these songs as a proper Radiohead album. Nonetheless, it was exciting to hear long-lost Yorke compositions like "Skirting on the Service" and "Open the Floodgates" find a home. Though the songs lack the transcendent quality of their main band, A Light For Attracting Attention is a satisfying listen; and it is fun to see Yorke and Greenwood taking inspiration from their post-punk roots with songs like "We Don't Know What Tomorrow Brings."

13. Alvvays- Blue Rev (Indie pop/Shoegaze)
This band has proven for years that they know their way around a good melody, and Blue Rev finds them surrounding each earworm with shoegaze fuzz. The result is their best album yet.

12. Aldous Harding- Warm Chris (Singer-Songwriter/Psychedelic Pop)
A delightfully weird album from this New Zealand singer-songwriter (no surprise this is a strange one, given a) her prior output and b) it is called Warm Chris). Harding's songwriting is whimsical without being overly cute, and few artists can use a multitude of different singing voices as she does.

11. Wild Pink- ILYSM (Indie Rock)
Brooklyn's Wild Pink have quietly been doing their thing for awhile now, churning out satisfying if unremarkable Americana-adjacent indie rock. Frontman John Ross was diagnosed with cancer in the midst of writing and recording ILYSM, and the resulting album is warm rather than despairing—with a focus on gratitude and connection. The band surrounds themselves with a myriad of friends and collaborators—including Julien Baker, Yasmin Williams, J Mascis (on the supremely catchy "See You Better Now"), and Ryley Walker (who rips a killer solo on "Simple Glyphs"). This is the kind of uplifting, inspirational music that modern day U2 could only dream of making.

10. Kendrick Lamar- Mr. Morale & the Big Steppers (Hip-Hop)
Kendrick's last album topped this list back in 2017, and though Mr. Morale has a few befuddling moments, its highs more than justify its inclusion this year. "Mother I Sober" (featuring Beth Gibbons of Portishead) is one of his best ever songs in my book, and "Father Time" is similarly stunning. Though not a masterpiece, Mr. Morale further bolsters the resume of one of music's greatest talents.

9. JID- The Forever Story (Hip-Hop)
The relative lack of buzz around this one was confusing, as I found it to be a really impressive listen (maybe people were judging JID for collaborating with Imagine Dragons on mainstream hit "Enemy" which...does not effectively showcase his talents). A Southern Rap epic, The Forever Story is ambitious and immersive without being overlong. Check out his awesome Tiny Desk if you need further convincing.

8. Beyoncé- Renaissance (Pop/House/R&B)
Beyoncé made a house music album! But you probably already knew that since we are talking about Beyoncé here. Renaissance is a great listen, however. The energy never lets up throughout all sixteen tracks, making it ideal for your next workout or dance party.

7. Sudan Archives- Natural Brown Prom Queen (Alternative R&B)
A vibrant sophomore album from singer-violinist Brittney Parks. Lots of great grooves on this one. "Selfish Soul" will replace "Come On Eileen" as your go-to violin-featuring dance song.

6. Little Simz- NO THANK YOU (Hip-Hop)
After topping this list with last year's incredible Sometimes I Might Be Introvert, Simz surprise-released a worthy follow-up in the waning weeks of 2022. Again featuring exquisite production from Sault's Inflo, NO THANK YOU, further establishes Simz as being in a class of her own. She shows a more playful side on songs like "Gorilla," while retaining the ability to wow with lyrically dense songs such as "Angel." 

5. MJ Lenderman- Boat Songs (Indie Rock/Lo-Fi)

Asheville's MJ Lenderman created a truly special album. Filled with amusing references to '90s sports icons and clearly indebted to blog namesake Jason Molina on songs like "Tastes Just Like It Costs," Boat Songs was basically engineered for my enjoyment. But rock music fans of any generation should dig this charming record.

4. Alex G- God Save the Animals (Indie Rock)

Alex G is easily one of the most compelling indie rock figures of the past decade plus, and God Save the Animals includes some of his best-ever songwriting. "Runner" and "Miracles" both absolutely blow me away and are among my very favorite songs of the year. The album's more experimental songs might not be for everyone, but weird tunes like "Blessing" really work for me. 

3. Billy Woods- Aethiopes (Hip-Hop)

If you like rap and have never listened to Billy Woods, I strongly suggest you change that. Dude has been on an incredible run the last several years, with Aethiopes representing his best work. The album contains wildly creative production, with jazzy samples perfectly complementing Woods' incredible lyrical flow. Woods released a second album (Church) in the back half of the year that is also well worth your time.

2. Black Country, New Road- Ants From Up There (Art Rock/Chamber Pop)

A somewhat polarizing album- you are probably going to either really like it or dislike it; not a lot of middle ground here. I am obviously in the former camp—I thought BCNR took a big step forward from the Klezmer-rock of their debut. Earnest lyrics, sweeping choruses, and frequent orchestral touches created by a seven-member-band will make you feel like it is 2005 again. Primary vocalist/lyricist Isaac Wood left the band four days before the album's release (citing mental health struggles), which added a dose of melancholy to each listen. It is a bummer to know I am unlikely to ever hear these wonderful songs live. The band has declared they will soldier on, and I will be fascinated to see where they go from here (hey, Pink Floyd also lost their frontman after two albums and they turned out alright).

1. Big Thief- Dragon New Warm Mountain I Believe In You (Indie Rock/Folk Rock)

This one is already a classic to my ears. Like any good double album, the 20 songs showcase an impressive range of sounds. From beautiful folk, moody rockers, a rootsy song about potatoes, and even a jammy tune that sounds kinda like Dave Matthews Band (in a good way, to be clear)—the album contains an embarrassment of riches. I feel like I have known these songs my whole life, and I imagine I will be listening to them for the rest of mine. Big Thief have firmly cemented themselves as my favorite band of the last half-decade.

Best of 2022 Playlist

Here are 66 of my favorite songs I heard this year. Play it in order to justify the inordinate amount of time I spent sequencing it, or just listen on shuffle if you like chaos. Hope this helps you find something new you might have missed!

My Fifteen Favorite Albums of 2021

I was going to start this with a "man this year mostly sucked but thank god for music" intro but then I re-read some previous posts and realized I do that basically every year. What fun times we live in! Anyway, like last year, I did not consume quite as much music as I typically do. Turns out moving in with your partner means that instead of spending hours most evenings checking out new tunes, you binge-watch Gilmore Girls and develop VERY strong opinions on Rory Gilmore's dating choices.

Thankfully, I still heard enough music this year to put together this list of favorite albums. Though 2021 had a dearth of "instant classic" albums, it was an excellent year for new discoveries; nearly half of the artists below were completely new to me this year. Also new to me is having 21 months of pandemic fatigue, so I am going to keep things brief with the blurbs (most of you are here for the playlist anyway, let's be real). I am also trying a new thing where I note the approximate genre of each album to help y'all filter stuff you are more likely to be interested in. Anyway, below is my favorite* music I heard this year:

*But this is definitely the song I heard the most this year. Remarkably few Netflix opening credit skips.

Honorable Mentions
Injury Reserve- By the Time I Get to Phoenix

Rosali- No Medium

Tyler, The Creator- Call Me If You Get Lost

Nick Cave and Warren Ellis- Carnage

Lucy Dacus- Home Video

Top Fifteen
15. Ryley Walker- Course in Fable (Jazzy Folk/Singer-Songwriter)

Intricate jazz-folk songs performed impeccably by Walker and his band. Until Jim O'Rourke releases another album of song-based material, this will do.

14. The War on Drugs- I Don't Live Here Anymore (Heartland Rock/Indie Rock)

These guys are not doing anything new here (and their lyrical shortcomings are becoming increasingly evident) and yet, I still find this album highly enjoyable. Adam Granduciel and co. continue their run of albums filled with propulsive, epic, synth-laden rock songs—with the title track ranking among their best work.

13. Mdou Moctar- Afrique Victime (Psych Rock)

Simply put, this album rips. If you like guitar solos, you are gonna dig this one. Moctar, from Niger, puts an electrifying spin on Tuareg guitar music.

12. illuminati hotties- Let Me Do One More (Indie Rock)

illuminati hotties continue to churn out fantastically catchy (and humorous) rock tunes. This album includes possibly my favorite lyric of the year: "I'm so sad I can't do laundry" on the extremely fun (and appropriately named, once you hear the chorus) "MMMOOOAAAAAYAYA."

11. Mega Bog- Life and Another (Art Pop)

A quirky, whimsical album—recommended if you dig Cate Le Bon, Aldous Harding and other music in that vein.

10. L'Rain- Fatigue (Neo Soul/Experimental)

Never heard an album quite like this! These songs are made up of a fascinating collage of field recordings, vocal loops, and creative instrumentation (with percussion often at the center). I notice something new every time I listen.

9. Magdalena Bay- Mercurial World (Synth Pop)

This year's token "fun dancey synth pop album." Magdalena Bay use a familiar formula but the quality of the songwriting and production make this a very worthy effort. I reckon pretty much anyone reading this list would enjoy this album (prove me wrong!!).

8. Turnstile- Glow On (Post-Hardcore/Rock)

The heaviest album on the list this year—a lot of these songs are made for the mosh pit (that I, personally, would stand a respectful distance away from). As we all continue to carry the stress of living through a pandemic, this is a great album to bob your head to and release some tension.

7. Jazmine Sullivan- Heaux Tales (R&B)

Released at the beginning of January, this was the first album I fell in love with this year. Technically an EP, Heaux Tales feels substantial enough at 32 minutes to be considered a proper album—a consistently exciting one at that. There are a nice mixture of bangers ("Pick Up Your Feelings") and ballads ("Lost One")—all with an uncompromisingly feminist focus.

6. Cassandra Jenkins- An Overview on Phenomenal Nature (Singer-Songwriter)

For all the problems with Spotify's recommendation algorithm, they sure nailed it by showing me Song of the Year candidate "Hard Drive"...many times this year, and introducing me to this wonderful artist. An Overview on Phenomenal Nature is a beautiful, meditative album that was a constant go-to when I wanted to listen to something calming this year.

5. Low- HEY WHAT (Experimental Rock)

Pretty insane to me that this band is still putting out albums this good almost 30 years into their career. Continuing the momentum from 2018's excellent Double Negative, Low dial back the distortion (though there's still plenty!) and let their gorgeous vocals and unique guitar sounds take center stage. Though tense and unsettling in parts, there are some moments of real beauty (as is true on all Low albums). Definitely an album I needed to be in the mood for, but this was one of the more powerfully immersive listens of the year for me.

4. Japanese Breakfast- Jubilee (Indie Pop/Indie Rock)

Few people had a better 2021 than Japanese Breakfast leader Michelle Zauner, who in addition to Jubilee released a New York Times bestselling memoir. While her previous work leaned more towards moody dream pop, Jubilee has much brighter melodies and even a few songs you can dance to (Album highlight "Be Sweet" easily has the bass line of the year). This album provided a needed burst of color in an otherwise gray year.

3. Floating Points, Pharoah Sanders and the London Symphony Orchestra- Promises (Modern Classical/ Electronic)

This is up there with the prettiest music I have heard in recent memory. Promises is a phenomenal collaboration between the brilliant electronic musician Floating Points, legendary jazz saxophonist Pharoah Sanders, and a world-class orchestra. Spanning nine interconnected movements, the album is stunning from front to back—with the three musical forces combining to create some truly transcendent moments. 

2. The Weather Station- Ignorance (Art Pop)

I kind of surprised myself by ranking this one so high, but I continually returned to it throughout the year and it sounded better each time. Ignorance is an unexpected but welcome pivot from The Weather Station's previous folky material—with its numerous piano and string-driven songs creating a much moodier atmosphere. The sonic terrain will feel familiar to fans of bands like The National. This is a great winter album—give this one a try to achieve some warmth during the frigid months ahead.

1. Little Simz- Sometimes I Might Be Introvert (Hip-Hop)

Sometimes I Might Be Introvert is on a totally different level than everything else on this list—an absolute masterpiece. I pretty much knew after my first listen this was going to be my Album of the Year. Across its dense 65 minutes, Little Simz leads listeners on a thrilling, musically-diverse journey. The album is at times intense (check out the marching band drums and horn swells on opener "Introvert"), while some songs incorporate playful instrumentation (as on the children's chorus-featuring "Little Q Pt. 2," or on the bouncy synths of "Protect My Energy"). Throughout, her raps are laser-focused—touching on a range of poignant subjects (with Simz processing complicated feelings about her family, celebrating the women who inspire her, and coming to terms with her introversion, as the album title alludes). The production is also spot-on, pairing lush, vibrant sounds with Simz's phenomenal rhymes. Only 27-years-old, Simz broke out in a major way in 2021 and gave us this gift of an album that eclipsed all of her musical peers.

Best of 2021 Playlist

Here are 75 of my favorite songs of the year, agonizingly sequenced for your utmost enjoyment:

My Fifteen Favorite Albums of 2020

Well, for obvious reasons, 2020 was definitely the worst music listening year of my adult life (you know, because the White Sox were actually good and also I got addicted to a stupid baseball simulation game. Okay yes the pandemic too). It turns out my commute is a huge way I process music, and also when I am living through a slow-motion disaster causing horrific levels of death and suffering I tend to grasp for comfort albums versus new music. Plus, I went to a grand total of four concerts this year so there were minimal opportunities to discover a cool opening act or experience an album live  (I miss going to shows so much and never again will I complain about paying $15 for a beer at the Aragon). So, I feel like I have mediocre qualifications to make this post this year, but I am going to try anyway!* Here is the music I connected with during this phenomenally shitty year.** As always, scroll to the bottom to find a playlist of my favorite 2020 songs.

*But I am only doing a top 15 instead of the usual top 20.
**Well okay, remember when Trump got Covid? That was good.

Honorable Mentions
Ratboys- Printer's Devil

Dehd- Flower of Devotion
Bartees Strange- Live Forever

Soccer Mommy- Color Theory

Yves Tumor- Heaven to a Tortured Mind

Jeff Rosenstock- NO DREAM

Freddie Gibbs and The Alchemist- Alfredo

Top Fifteen

15. illuminati hotties- FREE I.H: This Is Not the One You've Been Waiting For

Really the band name alone qualifies this album for the list. Super fun, often hilarious indie rock album that zips by in 23 minutes. 

14. Lianne La Havas- Lianne La Havas

I discovered this album thanks to her absolutely phenomenal cover of Radiohead's "Weird Fishes" but the rest is similarly wonderful. La Havas is an extremely talented singer, guitarist, and songwriter and definitely near the top of my list of musicians I would like to see live post-Covid.

13. Run the Jewels- RTJ4

When RTJ3 came out in 2017 I described it as "Another satisfying album of impeccably produced music by the best duo in rap" and...ditto for RTJ4. They have a pretty standard formula at this point and yet each new Run the Jewels album manages to stay fresh and exciting.

12. Taylor Swift- folklore and evermore

I have never been a huge Taylor Swift fan but predictably, my interest was piqued when I learned she was collaborating with Aaron Dessner from The National. And it turns out folklore and its less-good-but-still-pretty-good companion album evermore are more memorable than anything Dessner's band has put out in the last several years. Perfect for quarantine listening, these folk-pop albums are exceedingly pleasant and at times quite beautiful—particularly on the superb Bon Iver collaborations "exile" and "evermore."

11. The Microphones- Microphones in 2020

After a 17-year hiatus, Phil Elverum resurrected the Microphones name. Rather than returning to writing catchy lo-fi folk like "I Want Wind to Blow," Elverum instead created a 45-minute autobiographical song detailing memories from childhood to present and explaining why he reverted back to recording as The Microphones. The music is entrancing, with Elverum sustaining a single guitar chord for minutes at a time. Because of the freeform nature of the album, I notice something new every time I listen. If you are looking for an album to rock out to... this is not your album! But if you want to zone out as you are enveloped in melancholy, give it a spin.

10. Haim- Women in Music Pt. III

A fun album that got screwed by the pandemic (literally, in that its release was delayed two months but also in that its breezy sound would have been the perfect summer party soundtrack). After a memorable debut, Haim fell prey to the sophomore slump before rebounding big time with Women in Music Pt. III. There are so many good hooks on this album, and the band showcases their obvious influences (Fleetwood Mac, Joni Mitchell, etc.) without sounding stale. Here's hoping these songs get their deserved treatment on the summer festival circuit in the next year or two.

9. Fleet Foxes- Shore

After 2017's complex, moody Crack-Up, Fleet Foxes leader Robin Pecknold went in a decidedly more optimistic (and accessible) direction with Shore. Brimming with dazzling folk melodies, the album provided a needed contrast to 2020's perpetual gloom. The emotional center of the album is "Sunblind," a beautifully earnest and somehow not at all corny tribute to Pecknold's departed music influences (people such as Silver Jews' David Berman, Judee Sill, Arthur Russell, and Elliott Smith). The whole album is strong, however, and is a deserving addition to one of the more consistently rewarding discographies in music over the last decade-plus.

8. Jessie Ware- What's Your Pleasure?

Listening to this wonderful disco-indebted album was almost cruel in a year where there was no chance of hearing any of these songs on a dancefloor. Still, for my sanity I could not spend all year wallowing in sadness and this bright, energetic album really lifted my mood whenever I put it on; perhaps it will do the same for you.

7. Sault- Untitled (Rise)

Sault are a semi-anonymous group from the UK who have put out four albums since 2019, with Untitled (Rise) their best yet. Blending soul, disco, and Afrobeat, Sault's music is consistently thrilling. The percussion in particular stands out—these songs groove. Several of the songs also include pointed commentary on issues such as police brutality, providing a continuation of themes explored on its 2020 companion album Untitled (Black Is) released during the George Floyd uprisings. Sault's powerful music provided a perfect accompaniment to a historically turbulent year.

6. Perfume Genius- Set My Heart on Fire Immediately

Mike Hadreas, the artist behind Perfume Genius, has released a series of increasingly expansive and ambitious art pop albums over the past decade. Set My Heart on Fire Immediately feels like the culmination of everything he has been working toward—with a sonically diverse group of songs ranging from quiet orchestral ballads (Leave), to a funky dancefloor banger (On the Floor), and a song that would have been at home on The Cure's Disintegration (Your Body Changes Everything). 

5. Andy Shauf- The Neon Skyline

When I reflect back on the weeks before Covid hit, this is the album I am always going to think about. The subject matter of this concept album feels quaint now: guy nestles up to the bar at his local dive and discovers a past flame has returned to town. Pre-Covid, I appreciated Shauf's warm folk-rock sound, charming use of clarinet, and his immersive storytelling skills. Ten months later, listening to The Neon Skyline feels wistful—especially since I would give anything to safely go to a dive bar again. Further accentuating that feeling is the fact that the last concert I attended was seeing Shauf perform this album at Thalia Hall. Until I am able to go to a bar and see live music again, living inside these songs will have to do.

4. Adrianne Lenker- songs/instrumentals

Lenker has quickly become one of my favorite songwriters over the past half-decade via her work with Big Thief. With apologies to Taylor Swift, songs and instrumentals are the best of the many so-called "quarantine albums" released this year. After Big Thief's tour was canceled, Lenker holed up in a cabin in Western Massachusetts and made these beautiful albums. songs is a spare collection of guitar-and-voice compositions; not exactly a new formula, but Lenker's music has a special quality that is hard to put into words. Though so far she has operated at her best in the context of a full band, songs proves that her music is plenty alluring on its own. instrumentals, on the other hand, showcases her outstanding guitar playing across two soothing long-form pieces. Paired together, these albums were a needed calming presence in my life this year amidst all the dreary background noise.

3. Waxahatchee- Saint Cloud

Waxahatchee's Katie Crutchfield has been churning out reliable indie rock albums for years. Fitting for a project named after a creek in Alabama, Saint Cloud finds her delving full-on into rootsy Americana. The results are spectacular, with Crutchfield's sharp lyrics and powerful vocals combining with exquisite country-rock production to create a memorable, emotionally affecting set of tunes. The album is endlessly replayable, with its stunning second track "Can't Do Much" being my most-listened-to song of the year (lol, apparently Obama or whoever shows him trendy music is also a fan). In a year that demanded we seek refuge wherever we could find it, Saint Cloud was a rare 2020 release that felt instantly familiar and comforting.

2. Phoebe Bridgers- Punisher

One of 2020's few breakout stars, Bridgers this year fully realized the promise shown on her 2017 debut album and subsequent collaborations with Julien Baker, Lucy Dacus, and Conor Oberst. Punisher was written and recorded before Covid-19 and yet the album's primary themes—anxiety, dread, and self-doubt—match up perfectly with what most of us have experienced this year. Bridgers' clever, self-deprecating lyrics are the star of the show here, with more memorable lines than I can count (one example: "We hate Tears in Heaven/But it's sad that his baby died"). Musically, the album ranges from quiet folk (such as on album highlight "Graceland Too"), to the zippy "Kyoto," as well as epic closer "I Know the End" which culminates in an ear-piercing scream that I cannot wait to experience live. Punisher might not have provided emotional escapism, but it resonated more than almost any album I heard this year.

1. Fiona Apple- Fetch the Bolt Cutters

Fiona Apple is not exactly prolific, so when she announced Fetch the Bolt Cutters at the start of the pandemic it was a much-needed dose of good news. Apple is still best known for her 1996 hit "Criminal" and the accompanying Tidal, but since that time she has released a slow drip of incredible (albeit less radio-friendly) music; Fetch the Bolt Cutters is just her fifth album in 24 years. The album begins with Apple's signature piano driving the gorgeous ballad "I Want You to Love Me" and the propulsive ode to grade school words of encouragement "Shameika" (the story behind the latter song is worth your time). From there, however, percussion becomes the musical focus—with Apple and her bandmates seemingly using every available household object to create a mesmerizing complement to her passionate vocals. Apple has never been afraid to take risks or offend people ("Kick me under the table all you want, I won't shut up" she sings on "Under the Table"). Particularly on the album's back half, she flirts with abrasion while keeping her music highly compelling. This is not background music; Apple's forceful, unguarded lyrics and fierce originality demand your full attention. Though not quite my favorite Fiona Apple record (depending on the day you ask me, that would be When the Pawn... or The Idler Wheel...), Fetch the Bolt Cutters is another masterwork to add to her small but brilliant catalogue. In a trying, often claustrophobic year, it was inspiring to listen to Apple fetch the proverbial bolt cutters, break free of expectations, and create such a unique, adventurous album; nothing else in 2020 was on her level.

Best of 2020 Playlist

Here are 83 of my favorite songs of the year, sequenced for maximal musical enjoyment (or just put it on shuffle, whatever).

My Twenty Favorite Albums of 2019, Plus a Bonus End-of-Decade Playlist

Gonna get right to the point here: I listened to a lot of albums in 2019. Twenty of them were particularly good. Here's a list of them, with brief commentary (I spent a lot less time writing this up this year! You'll be able to tell!) There are also two playlists at the bottom- one with my favorite songs of the year, and another (very long!) playlist of my favorites from the past decade.

Honorable Mentions

Madlib and Freddie Gibbs- Bandana

Bon Iver- i, i

Aldous Harding- Designer

Jenny Hval- The Practice of Love

Top Twenty

20. Solange- When I Get Home
Seems slight in comparison to A Seat at the Table but there are some really cool sounds/grooves on this album.

19. (Sandy) Alex G- House of Sugar
This album is half weird lo-fi studio experiments and half extremely catchy earworms. His best album, I'd say.

18. Stella Donnelly- Beware of the Dogs
Nice debut album from an Australian singer-songwriter. Good variety of songs on this one, I have a feeling she has even better albums ahead of her.

17. Sharon Van Etten- Remind Me Tomorrow
Sharon is happy and in love! Which is nice to see after her emotionally brutal prior album. But turns out happy people can still make excellent albums, and she might have written the best song of her career with Seventeen.

16. Danny Brown- uknowhatimsayin¿
One of the most consistently interesting artists of the last decade delivers another great rap album.

15. Carly Rae Jepsen- Dedicated
I am incredibly embarrassed that I didn't put Emotion near the top of my 2015 Favorite Albums list. But I am rectifying that mistake by putting its not-quite-as-good but still delightful and highly entertaining follow-up on this list. Her concert at the Chicago Theatre was one of the more joyful concert experiences I had in 2019.

14. Vampire Weekend- Father of the Bride
Vampire Weekend have settled into a jam band kind of thing with this collection of fun, breezy tunes.

13. PUP- Morbid Things
If you are reading this list looking for a new album to rock out to, this is the one. Think my body is still recovering from their show at Metro I saw earlier this year, these guys know how to make a room full of people go absolutely insane. They also make fantastic music videos.

12. Tyler, The Creator- Igor
Tyler has turned into an incredible producer. This a very well-constructed album that makes great use of synths. And Tyler sings a lot on it (and does so well!).

11. Nilüfer Yanya- Miss Universe
A lot of people slept on this album, but it's great. A highly original debut from a songwriter with a lot of range. Heavyweight Champion of the World has been stuck in my head basically all year.

10. Julia Jacklin- Crushing
After a solid debut a few years back Julia Jacklin took a huge step forward with Crushing, an endlessly replayable album about moving forward (and all the self-doubt and anxiety that comes with it) after the end of a relationship. As one would expect given the subject matter, there are some rather emotional moments but Jacklin throws in some catchy rockers (albeit with less than optimistic lyrics) for good measure.

9. Big Thief- UFOF
The first of two excellent albums Big Thief put out this year, UFOF is a strange, alluring collection of songs. Frontwoman and chief songwriter Adrienne Lenker's vocals are not for everyone but if you can get used to her singing style there is much to appreciate in the band's music. By the end of the decade they have taken the mantle from The National as indie music's biggest "grower" band- you won't necessarily love them immediately but keep listening and they could become one of your favorite bands, as they have for me.

8. Purple Mountains- Purple Mountains
A new project by longtime Silver Jews leader David Berman following a decade-long hiatus. Few albums outside of Jason Molina's catalog capture the feeling of someone in the throes of depression like Purple Mountains. It is impossible to listen to this album removed from its tragic context: weeks after its release, Berman died by suicide. I am grateful he left us a beautiful parting gift.

7. Angel Olsen- All Mirrors
One of my favorite musicians of the decade, Olsen's sound has grown in a way fans who have been following her since her early self-recordings (humblebrag, myself) would have never anticipated. Olsen really went for it on All Mirrors, employing lush orchestral production that increases the power of her songwriting.

6. Big Thief- Two Hands
My favorite of Big Thief's two albums this year, Two Hands finds the band adopting a raw, live-in-studio approach which suits them well. The album also includes my favorite song of the year, the absolutely immense Not.

5. Weyes Blood- Titanic Rising
The flat out prettiest album you'll hear this year, the 70s-indebted Titanic Rising already sounds timeless. Show it to your parents, they'll like it!

4. FKA Twigs- Magdalene 
Magdalene feels like an extension of the weirdo art pop artists like Kate Bush were making in the 70s and 80s. FKA Twigs's vocals are incredible throughout, especially on the gorgeous ballad Cellophane. Also, I guess I like Skrillex now because he helped write and produce two of the songs on the album (Sad Day and Holy Terrain).

3. Nick Cave and the Bad Seeds- Ghosteen
The first album Cave wrote entirely after the death of his son, Ghosteen finds him figuring out how to move on with his life. A beautiful and deeply moving album of piano and synth ballads that invites repeated listens.

2. Lana Del Rey- Norman Fucking Rockwell!
I'd never been compelled to listen to Lana Del Rey until this year but Norman Fucking Rockwell! won me over initially with its title (I'm a sucker for an amusing album title) and then with the music, which is impeccably produced (how did the guy from fun. get so good at this?) and performed. These songs really tug at your heartstrings, which I guess I knew was Del Rey's schtick, but she delivers these songs genuinely. She convincingly shows she's a true talent and not a gimmicky music industry plant which was my previous ill-informed impression of her. Moreover, somehow a 70-minute album made up almost entirely of piano ballads isn't a slog at all- the songwriting is that good here (plus, there's a Sublime cover thrown in for good measure). If you are like me and had dismissed Del Rey previously I strongly encourage you to check out this album, it will likely change your mind about her.

1. Jamila Woods- Legacy! Legacy!

Clearly I have a strong Chicago bias because a local artist has now topped my list three out of the last four years (though lol at me ranking Chance's Coloring Book over Frank Ocean's Blonde in 2016). But Legacy! Legacy! was the album I most frequently returned to this year. Each song is inspired by a different Black and Brown luminary from the past century- people like Zora Neale Hurston, Frida Kahlo, Jean-Michel Basquiat, James Baldwin, and Octavia Butler. Back in November, I saw Woods perform the album in a VH1 Storytellers-type setting where she spoke about each song on the album along with audio clips and visuals by the various song inspirations. It was breathtaking hearing her explain in detail how she melded these inspirations into a cohesive album. The album works quite well on a purely musical level (there are many wonderful grooves throughout), but taking the time to dig into the lyrics and the musicians, writers, and artists who inspired them makes for an even more rewarding listen. Woods is a poet by trade, so its no surprise that the wordplay is outstanding. Woods's memorable lyrics are accented by a killer band that deftly incorporates elements of R&B, jazz, rock, hip hop, and house music into a consistently exciting listen. With Legacy! Legacy!, Woods has put herself on a path towards perhaps one day being mentioned beside the legends who inspired the album. Regardless of what Woods's own legacy will be, no album gave me more joy to listen to in 2019.

Best of 2019 Playlist

Here are some of my favorite songs of the year. Per usual, I spent some time sequencing it so I will be VERY offended if you listen to it on shuffle.

Best of the 2010s Playlist
Look, sometimes you get bored and you make a nearly 16 hour, 210 song playlist. Totally normal. But I think this is a pretty fun listen. And definitely do listen to this one on shuffle.